{"id":3490,"date":"2017-10-31T17:24:34","date_gmt":"2017-10-31T17:24:34","guid":{"rendered":"http:\/\/courses.suzannechurchill.com\/eng394-f17\/?p=3490"},"modified":"2017-10-31T17:24:34","modified_gmt":"2017-10-31T17:24:34","slug":"leigha-ohara-response","status":"publish","type":"post","link":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/2017\/10\/31\/leigha-ohara-response\/","title":{"rendered":"Leigha O&#8217;Hara response"},"content":{"rendered":"<div id=\"divtagdefaultwrapper\">\n<p>&nbsp;<\/p>\n<ol>\n<li>For the poem I read closest, &#8220;Personal Poem&#8221; <span style=\"font-size: 1.1em\">I think that a large portion of potential meaning making or lack there of comes from the potential connection or disconnection between author and speaker of the poem. I was really boggled by this because of both the title and the personal pronouns used.<\/span><\/li>\n<li>Similar to my answer in the first question I think that by potentially breaking the dynamic of speaker and him just being the speaker himself creates intimacy between author and reader.<\/li>\n<li>From this poem in particular and the other poems we were assigned I think that he was mostly avant-garde in nature BUT because of his allusion and style that mirrors other avant-garde poems we have read, I wonder if that makes him kitsch?<\/li>\n<li>the use of &#8220;blague&#8221; is interesting&#8230; isn&#8217;t everything in the avant-garde a &#8220;blague&#8221;? (I&#8217;m thinking of the move Duchamp made with the urinal) And where does straight use of irony or satire separate from this? I definitely think he is satirical, and that he uses irony but does that automatically mean he is intentionally using &#8220;blague&#8221; (blagueing?)<\/li>\n<\/ol>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; For the poem I read closest, &#8220;Personal Poem&#8221; I think that a large portion of potential meaning making or lack there of comes from the potential connection or disconnection between author and speaker of the poem. I&#8230; <a class=\"read-more\" href=\"https:\/\/courses.suzannechurchill.com\/eng394-f17\/2017\/10\/31\/leigha-ohara-response\/\">Read More<\/a><\/p>\n","protected":false},"author":190,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-3490","post","type-post","status-publish","format-standard","hentry","category-interventions"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts\/3490","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/users\/190"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/comments?post=3490"}],"version-history":[{"count":1,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts\/3490\/revisions"}],"predecessor-version":[{"id":3491,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts\/3490\/revisions\/3491"}],"wp:attachment":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/media?parent=3490"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/categories?post=3490"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/tags?post=3490"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}