{"id":3401,"date":"2017-10-26T13:45:53","date_gmt":"2017-10-26T13:45:53","guid":{"rendered":"http:\/\/courses.suzannechurchill.com\/eng394-f17\/?p=3401"},"modified":"2017-10-26T19:19:05","modified_gmt":"2017-10-26T19:19:05","slug":"for-class-1026-abbey","status":"publish","type":"post","link":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/2017\/10\/26\/for-class-1026-abbey\/","title":{"rendered":"For Class 10\/26 &#8211; Abbey"},"content":{"rendered":"<p><strong>Questions:<\/strong><\/p>\n<ul>\n<li>In the text, the author describes how a critic, after hearing about Picaba\u2019s recent travels, went on to inform his readers that on the paintings portrayed \u201cthe result of a collision between an aeroplane, an automobile, and a submarine\u201d (57). Additionally, of Picaba\u2019s painting of the Polish dancer Napierkowska the author writes, \u201clittle would be gained by searching for direct visual references to the dancer\u201d (58). \u00a0Thus, I am wondering, what role should biography play in our analysis of Picaba\u2019s works? How reliable are analyses based on biography?<\/li>\n<li>What is the role of America in Picaba\u2019s works?<\/li>\n<li>Male gaze and machines: How do we reconcile the innovation of Picaba\u2019s work with mechanization of the female body and its potentially misogynistic undertones?<\/li>\n<\/ul>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>Thesis: <\/strong><\/p>\n<p>History set the stage for the many periods encompassed by Data. The historical context called for \u201cgames of exploration [\u2026] [and a] this climate of\u201d (257). This thirst for innovation was perhaps epitomized in the in the reclaiming of the mechanical, a new vocabulary which \u201cborn of the tragic conditions of the epoch\u201d (263) answered a call for revolution.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Questions: In the text, the author describes how a critic, after hearing about Picaba\u2019s recent travels, went on to inform his readers that on the paintings portrayed \u201cthe result of a collision between an aeroplane, an automobile, and&#8230; <a class=\"read-more\" href=\"https:\/\/courses.suzannechurchill.com\/eng394-f17\/2017\/10\/26\/for-class-1026-abbey\/\">Read More<\/a><\/p>\n","protected":false},"author":191,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-3401","post","type-post","status-publish","format-standard","hentry","category-interventions"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts\/3401","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/users\/191"}],"replies":[{"embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/comments?post=3401"}],"version-history":[{"count":2,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts\/3401\/revisions"}],"predecessor-version":[{"id":3427,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/posts\/3401\/revisions\/3427"}],"wp:attachment":[{"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/media?parent=3401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/categories?post=3401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/courses.suzannechurchill.com\/eng394-f17\/wp-json\/wp\/v2\/tags?post=3401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}